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    闌珊宿 · 螞蟻窩主題酒店丨長空創作

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    闌珊宿 · 螞蟻窩主題酒店丨長空創作
    image ? 長空創作
    所有圖片及文字來源:長空創作原創作品

     

    當建筑師回歸工匠本身

    When the architect returns to the craftsman

     

    當建筑師回歸工匠角色,脫離電子技術依靠積年的經驗對建筑進行實體精準把控,作品便真正能夠匠心獨具。雕塑與建筑的界限再次模糊,藝術與生活的距離逐漸拉近,建筑師對于細節的追求才是真正的工匠品質。

    When an architect returns to the role of a craftsman, and departs from electronic technology to rely on years of experience to physically and accurately control the building, the work can truly be unique. The boundary between sculpture and architecture is blurred again, and the distance between art and life is gradually getting closer. The architect’s pursuit of details is the true craftsman quality.

     

    “闌珊宿”精品民宿酒店坐落在撫仙湖-小灣民宿區。設計充分考慮建筑與地形環境的呼應。

    “Lan Shan Su” Boutique B&B Hotel is located in Fuxian Lake-Xiaowan B&B area. The design fully considers the interaction between the building and the terrain environment.

     

    小體量建筑單體“蟻穴”作為酒店標志物,在功能上扮演著VIP套房的角色,同時在整個場地環境中,發揮著打破傳統構建元素,重構了老舊地形的作用。

    As a hotel landmark, the single “ant colony” of a small building plays the role of a VIP suite in function. At the same time, it breaks the traditional construction elements and reconstructs the old terrain in the entire site environment.

     

    設計者希望通過空間的塑造打破人們對于功能房間的固有印象,在前衛空間體驗和民宿日常居住的交織中感受來自于自然和光線的力量。

    The designer hopes to break people’s inherent impression of functional rooms through the shaping of space, and to feel the power of nature and light in the interweaving of avant-garde space experience and daily living in a hotel.

     

    建筑造型靈感來源于蟻穴。

    The architectural shape is inspired by ant nests.

     

    在一幅蟻穴主題的童畫中可以看見兒童對于蟻穴空間功能和交通的想象,通過三維設計構造,使得常人眼中的童趣、設計師看法里的光影交織空間過渡融合一體,從而讓不同的使用群體都能在其中感受空間組織變化帶來的沖擊。

    In a children’s painting with the theme of an ant nest, you can see the children’s imagination about the space function and transportation of the ant nest. Through the three-dimensional design and construction, the children’s interest in the eyes of ordinary people and the interweaving space of light and shadow in the designer’s view are merged into one, so that different The user group can feel the impact of spatial organization changes.

     

    自然對于構筑空間的潛力是變化無窮的。

    Nature’s potential for space construction is endless.

     

    吸取自然元素是對人自然野性的呼喚。

    Absorbing natural elements is a call to human nature and wildness.

     

    來自自然的力量是最為原始、直接、能夠觸動人的。

    The power from nature is the most primitive, direct, and capable of touching people.

     

    場地原為廢棄民居水窖,位于轉折坡角落,地勢低矮下陷入,但同時位于酒店入口。

    The site was originally an abandoned residential water cellar, located at the corner of the turning slope, sinking into the low terrain, but at the same time located at the entrance of the hotel.

     

    “蟻穴“的大膽插入打破了尋常綠化覆蓋的做法,為場地的消極空間注入活力,成為了酒店的標志物和“迎賓牌”。

    The bold insertion of “ant nest” breaks the usual practice of green coverage, injects vitality into the negative space of the site, and becomes the hotel’s landmark and “welcome card”.

     

    曲面能夠模糊明暗的交界,柔和地引導光線。

    The curved surface can blur the junction of light and dark and guide light softly.

     

    同時,為曲線墻面覆上褶皺和肌理,自然的引導人在空間中穿梭。

    At the same time, the curved wall is covered with folds and texture, which naturally guides people through the space.

     

    當曲面構造的空間體量被賦予樸實的功能,超現實主義的空間便能柔和的刺激人的感官。

    When the spatial volume of curved surface structure is given simple functions, the surrealistic space can softly stimulate the human senses.

     

    肌理、光線、空間相互交織,能給人柔和的觸動。

    The texture, light, and space are intertwined with each other, which can give people a soft touch.

     

    蟻穴的設計過程完全脫離了電腦建模,全依賴于建筑師多年積累的經驗和實地的把控。

    The design process of ant’s nest is completely separated from computer modeling and depends on the architect’s years of accumulated experience and on-site control.

     

    建筑師回歸了工匠的身份,才能真正透過實體感受空間,把握細節的雕琢。

    Only when architects have returned to the status of craftsmen can they truly feel the space through the entity and grasp the details of the carving.

     

    前期沒有畫標準的圖紙,建筑師在實地現場“作畫”。

    No standard drawings were drawn in the early stage, and the architect “painted” on the spot.

     

    2020.10.30
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